Introduction à l'histoire de l'art moderne et contemporain

Code Cours
1920-FLSH-HART-FR-3002
Language of instruction
French, English
This course occurs in the following program(s)
Training officer(s)
GILLES LEVEQUE

Présentation

Goal

According to the old medicine, the body is balanced by
humours, moving liquids, and diseases are a result of misbalance between these
liquids. For example, too much black bile could lead to melancholia. What about
this theory in the 20th century? According to Walter Benjamin,
melancholia is “the allegory for modernity”. Thus, it would be possible to
reread 20th century art with that prism.


The gap between the classical and the modern
representations of melancholia will be analysed, as well as how artists (such
as Warhol, Martin Kippenberger, Orlan, Pierre Huyghen Bill Violan, Picabia or
Boltanski) represent the polymorphous and evasive aspect of contemporary
melancholia.


Its representation in other forms of arts will be
studies too, cinema for example.



At the end of the course, the students will know the
modern artists’ implication in defining melancholia, know the difficulty with
classifying, recognize new relevant experiences, etc.


Modalités

Evaluation

Ressources

Bibliography

|| Paul ARDENNE, <i>Art, L’âge contemporain, Une histoire des arts plastiques à la fin du XXe siècle, </i>Paris, Editions du Regard, 1997.|||| Hans BELTING, <i>L’histoire de l’art est-elle finie ?</i>, Paris, Editions Jacqueline Chambon, 1989.|||| Arthur DANTO, <i>L’assujettissement philosophique de l’art,</i> Paris, Seuil, 1993, chap. 5 : « La fin de l’art » (p. 111-151).|||| Arthur DANTO, <i>Après la fin de l’art, </i>Paris, Seuil, 1996, Introduction (p. 15-27) et chap. 12 : « Apprendre à vivre avec le pluralisme » (p. 289-307).|||| Arthur DANTO, <i>L’art contemporain et la clôture de l’histoire, </i>Paris, Seuil, 2000.|||| Clement GREENBERG, <i>Art et culture, </i>Paris, Macula, 1988.|||| Catherine MILLET, <i>L’art contemporain en France, </i>Paris, Flammarion, 1995.|||| Irving SANDLER, <i>Le triomphe de l’art américain, </i>3 vol., Paris, Editions Carré, 1990-1991.||