American Women Writers in Context

<b>Bibliography:</b>|| Beer, Janet. Kate Chopin, Edith Wharton and Charlotte Perkins Gilman: Studies in Short Fiction. New York: Palgrave Macmillan, 2005.|| Donaldson, Susan V. Competing Voices: The American Novel, 1865-1914. Boston: Twayne, 1998.|| Harrintgton, Ellen Burton, ed. Scribbling Women and the Short Story Form: Approaches by American and British Women Writers. New York : Peter Lang, 2008.|| Koloski, Bernard, ed. Awakenings: The Story of the Kate Chopin Revival. Baton Rouge: Louisiana State University Press, 2009. [<b>BUV</b>]|| Louvel, Liliane &amp; Claudine Verley. Introduction à l’étude de la nouvelle.<i> </i>Toulouse: Presses Universitaires du Mirail, 1993. [<b>BUV</b>]|| Martin, Wendy. New Essays on<i> The Awakening</i>. New York: Cambridge University Press, 1988.|| Perrin-Chenour, Marie-Claude. Kate Chopin: Ruptures. Paris: Belin, “Voix américaines,” 2002. [<b>BUV</b>]|| ___. Les Romancières américaines. Paris: Ellipses, 1995.|| Ricard, Virginia, ed. The Short Stories of Edith Wharton. Special issue of Journal of the Short Story in English 58 (Spring 2012). [on-line]|| Showalter, Elaine. A Jury of Her Peers: Celebrating American Women Writers from Anne Bradstreet to Annie Proulx. New York: Vintage Books, 2010.|| ___. A Literature of Their Own: From Charlotte Brontë to Doris Lessing. London: Virago, 1977.|| Ullmo, Anne. Edith Wharton: La Conscience entravée. Paris: Belin, “Voix américaines,” 2001. <b>[BUV]</b>|| Verley, Claudine. Lectures critiques en anglais: A Guide to Critical Reading of Fiction in English. Paris: Ophrys, 1998.|| Wagner-Martin, Linda. The Modern American Novel, 1914-1945: A Critical History. Boston: Twayne, 1990.|||| <b>, </b>|| .