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Our Degree Programs
Establishment
Language of instruction
French, English
Teaching content
UE18
Training officer(s)
J.Fiévet
Stakeholder(s)
J.Fiévet
Présentation
Prerequisite
- Being interested in and / or knowing about the use of acquired practice of the image.
- Having a curiosity and a culture of the image through various media.
- Mastering written and oral expression in order to develop reasoned analyzes and interpretations.
- Having a curiosity and a culture of the image through various media.
- Mastering written and oral expression in order to develop reasoned analyzes and interpretations.
Goal
- Questioning about the stakes of the image, its impact on the viewer according to the constraints of its realization.
- Knowing the theories of the image, built through the history of the art and the pictorial representation, more particularly the contribution of the photography in the contemporary world.
- Understanding by the method of the analysis of the fixed image, the links between the techniques of the image and the cultural, social and individual interpretations.
- Suggesting interpretations according to the challenges of the image and its uses in contemporary society, be it the cultural and artistic field, the field of communication or advertising.
- Knowing the theories of the image, built through the history of the art and the pictorial representation, more particularly the contribution of the photography in the contemporary world.
- Understanding by the method of the analysis of the fixed image, the links between the techniques of the image and the cultural, social and individual interpretations.
- Suggesting interpretations according to the challenges of the image and its uses in contemporary society, be it the cultural and artistic field, the field of communication or advertising.
Presentation
-The stakes of theories and technical principles of the pictorial and photographic image.
Progression of Semiologie de L'image fixe:
- Theories of the image from the history of art
- History of Photography: History and Techniques
- Photographic objectivity
- The subject of photography and its viewer
- Photography and the world, uses
- Press photography
- Photography differently, experimentations and art
- The contemporary image: orientations and ethical issues
Progression of Semiologie de L'image fixe:
- Theories of the image from the history of art
- History of Photography: History and Techniques
- Photographic objectivity
- The subject of photography and its viewer
- Photography and the world, uses
- Press photography
- Photography differently, experimentations and art
- The contemporary image: orientations and ethical issues
Modalités
Organization
| Type | Amount of time | Comment | |
|---|---|---|---|
| Face to face | |||
| 15,00 | |||
| Independent study | |||
| Travail personnel indicatif | 15,00 | Retour sur les cas d'étude et accès aux ressources | |
| Overall student workload | 30,00 | ||
Evaluation
| Control type | Duration | Amount | Weighting |
|---|---|---|---|
| Continuous assessment | |||
| Etude de cas | 0,00 | 1 | 40,00 |
| Final Exam | |||
| 1,30 | 1 | 60,00 | |
| TOTAL | 100,00 | ||
Ressources
Bibliography
L'image mouvement, L'image temps - Gilles Deleuze
- Gilles Deleuze, L'image mouvement, L'image temps, Les éditions de Minuit
Esthétique du film - Aumont, Marie, Bergala, Vernet- Esthétique du film, Aumont, Marie, Bergala, Vernet, Edition Nathan Université
Vie et Mort de l'image - - Régis Debray,- Régis Debray, Vie et Mort de l'image, Edition Folio essais
L'image peut elle tuer? - Marie Josée Mondzain- Marie Josée Mondzain, L'image peut elle tuer? edition Bayard