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Our Degree Programs
Establishment
Language of instruction
French, English
Teaching content
UE18
Training officer(s)
J.Fiévet
Stakeholder(s)
J.Fiévet
Présentation
Prerequisite
- The follow-up of the first semester of semiology of the still image.
- Being interested in and / or knowing how to use acquired practice of the image.
- Being curious and having a culture of the image through various media.
- Mastering written and oral expression in order to develop reasoned analyzes and interpretations.
- Being interested in and / or knowing how to use acquired practice of the image.
- Being curious and having a culture of the image through various media.
- Mastering written and oral expression in order to develop reasoned analyzes and interpretations.
Goal
- Questioning the stakes of the image, its impact on the viewer according to the constraints of its realization.
- Knowing the history of the moving image, through its appearance with the cinema, the various technical and theoretical principles, the historical evolutions, the technical transformations and its current stakes.
- Understanding by the method of the sequence analysis, the links between the techniques of the image in movement, the stakes of the assembly and the narration, and the position of the spectator.
- Suggesting interpretations according to the challenges of the image, its uses in contemporary society and its dissemination, whether in the artistic field, communication or advertising.
- Knowing the history of the moving image, through its appearance with the cinema, the various technical and theoretical principles, the historical evolutions, the technical transformations and its current stakes.
- Understanding by the method of the sequence analysis, the links between the techniques of the image in movement, the stakes of the assembly and the narration, and the position of the spectator.
- Suggesting interpretations according to the challenges of the image, its uses in contemporary society and its dissemination, whether in the artistic field, communication or advertising.
Presentation
- The audience place as the image mediator
Progress in the course of semiology of the image in movement:
- Techniques of the surroundings and theorical principles of the movement image
- Link between the image and the space, visual and sound field
- Editing issues, technique basis and structures of the total editing
- The point of view and the film announcement
- The audience place, identification and narration principles
- Image space in the contemporary world, custom's transformations and interpretation issues
Progress in the course of semiology of the image in movement:
- Techniques of the surroundings and theorical principles of the movement image
- Link between the image and the space, visual and sound field
- Editing issues, technique basis and structures of the total editing
- The point of view and the film announcement
- The audience place, identification and narration principles
- Image space in the contemporary world, custom's transformations and interpretation issues
Modalités
Organization
| Type | Amount of time | Comment | |
|---|---|---|---|
| Independent study | |||
| Travail personnel indicatif | 15,00 | ||
| Face to face | |||
| 15,00 | |||
| Overall student workload | 30,00 | ||
Evaluation
| Control type | Duration | Amount | Weighting |
|---|---|---|---|
| Continuous assessment | |||
| 0,25 | 1 | 40,00 | |
| Final Exam | |||
| 1,30 | 1 | 60,00 | |
| TOTAL | 100,00 | ||
Ressources
Bibliography
La photographie - André Rouillé
- André Rouillé, La photographie, edition Folio essais
La chambre clair - Roland Barthes- Roland Barthes, La chambre clair, edition Cahiers du cinéma Seuil
Sur la photographie - Susan Sontag- Susan Sontag, Sur la photographie, edition Titres Christian Bourgois
Petite histoire de la photographie - Walter Benjamin- Walter Benjamin, Petite histoire de la photographie, édition Allia